Following the Wood: My Visit to the NHLA

I’ve driven through this part of Memphis many times. I painted a mural for Hunter Fan just down the street, and I must have passed the National Hardwood Lumber Association (NHLA) sign dozens of times without really seeing it. Now the building feels significant.

I visited NHLA headquarters on August 31 to connect with specialists in the lumber industry. My maternal grandfather worked for the E.L. Bruce Company, and I am researching that history as I think about the future of my grandparents’ former home at 1328 Bruce Street in Orange Mound, Memphis. My dream is to transform the house into a studio space. That vision also includes building outdoor sculptures for the property, and I need to understand wood on a much deeper level to make that happen.

1328 bruce street in orange mound, memphis, tn

1328 Bruce St., Orange Mound, Memphis, TN

My connection to NHLA started at the new Memphis Art Museum building back in May. I was invited to tour the museum, where Melissa Whitby pointed out some of the intentional flooring choices made for the museum. I mentioned my family lumber project, and Melissa told me she had a contact I should meet. I finally emailed her in late August, thankful that she remembered our conversation, and she introduced me to Dallin Brooks.

When you walk into the headquarters, you smell the wood immediately. Wood slabs cover the walls and other surfaces. Some are installed at 45-degree angles to form a chevron pattern, one of my favorites. Each office highlights a different species of wood. I remember butternut, American elm, black willow, sweet gum, Lauan, and several others.

Dallin gave me a full tour of the building, grounds, classrooms, and equipment. I saw student work, including turned wooden bowls, and a massive antique two-man crosscut saw that was hard to miss. There were shelves full of books on forests, logging, and the lumber industry. Heaven for a wood enthusiast like me.

Wood Paneled library and meeting room at NHLA headquarters

Library and meeting room at NHLA headquarters, with the antique crosscut saw mounted on paneled wall.

Before I left, he gave me a field guide to trees, something I’ve wanted for years. It is easily one of the best things I’ve received all year. I also met Brennah Hutchison, who gave me a copy of the latest issue of Hardwood & Design. I appreciated the warm welcome and the swag.

NHLA Hardwood & Design magazine and The Pocket Guide to Trees

Finally, my own Pocket Guide to Trees.

I didn’t get to ask all my questions about the E.L. Bruce Company this time. I still want to learn which species perform best outdoors and how different woods weather over time. I also need to figure out what to prioritize when building outdoor sculptures. Dallin did tell me that hickory is stronger than oak, which I’m filing away for later.

For years, I have relied on salvaged lumber because it was available and visually interesting. Now I want to understand more about where the material comes from and how different species behave. I also want to explore how Memphis, and perhaps Orange Mound specifically, fit into the broader hardwood industry.

This visit was the perfect start to that education. I plan to go back. Probably more than once.


Spinning the Block on Chalk

I used a chalk line again for the first time in a while. Years ago, I used chalk lines often when laying out murals, and it felt good to return to that process on a smaller scale. It is a simple tool, but there is something satisfying about measuring, pulling the string tight, snapping the line, and suddenly having a structure to respond to.

This new piece starts with a 1-inch-thick wood panel made from plywood and MDF. I am using the chalk line to set the grid before painting a sequence of color bands that will move across the surface and create a pulsing effect. The grid gives the work order, but not rigidity. Once the lines are in place, I can begin making decisions about color, rhythm, spacing, and movement.

I am thinking about this piece as both a painting and an object. Because the panel has a thick edge, the side cannot be treated like an afterthought. I am considering ways to finish it cleanly, possibly with hardwood edge banding or another treatment that helps the whole piece feel more resolved.

A Friday in Augusta

This past Friday I gave an artist talk at Westobou Gallery in Augusta, GA, and honestly—it was a great time. The space is gorgeous (hello, tin ceiling and dreamy lighting), and I got to chat about my work, which is always slightly nerve-wracking but ultimately rewarding. I shared a bit about my current project for the Brooks Museum and how cast acrylic has been a beautiful but bossy new material in my practice. There was beer from Savannah River Brewery (shoutout to their IPA for calming my nerves), DJs spinning disco from Eccentric Disco (unexpected and so good), and some really thoughtful questions from folks in the crowd.

It rained on my drive back to Atlanta, with lightning slicing across the sky, but my favorite podcast kept me company. Now I’m back in Memphis, caffeinated and back to work—specifically: fixing those stubborn acrylic toppers. Onward!